30/10/2015 - 29/01/2016
‘Hélène Binet - Landscape’
Gabrielle Ammann // Gallery, Cologne, Germany.
03/06 - 21/09/2015
Dialoge – Fotografien von Hélène Binet
Bauhaus-Archiv Museum für Gestaltung
D - 10785 Berlin
01/05 - 03/05/2015
Gabrielle Ammann Gallery at ‘Paris Photo Los Angeles’
May 1-3, 2015, Booth 2
Paramount Pictures Studio 31
28/02 - 29/03/2015
Julius Shulman Institute Excellence in Photography Award
Hélène Binet: Fragments of Light
Opening Reception and Award presentation: Saturday, February 28, 2015, 6-8 PM
6518 Hollywood Boulevard, Los Angeles, CA 90028
Gallery hours: Thursday 1-8 PM, Friday-Sunday 1-6 PM
19/02 - 12/04/2015
Hélène Binet - ‘Dialoghi’
Accademia di architettura
Via Canavée 5
6850 Mendrisio, CH
Opening: Thursday, February 19, 2015, 7 PM
05/12/2014 - 31/01/2015
Maria and Neoptolemos Michaelides Residence by Neoptolemos Michaelides
Photographed by Hélène Binet
Point Centre for Contemporary Art, Cyprus
25/09/2014 - 11/01/2015
‘Constructing Worlds: Photography and Architecture in the Modern Age’ Barbican Art Gallery, Barbican Centre, London, UK.
Constructing Worlds: Photography and Architecture in the Modern Age brings together eighteen exceptional photographers from the 1930s to the present day who have changed the way we view architecture and perceive the world around us.
From the first skyscrapers in New York and decaying colonial structures in the Congo, to the glamorous suburban homes of post-war California, and the modern towers of Venezuela, we invite you on a global journey through 20th and 21st century architecture. Featuring over 250 works, this exhibition highlights the power of photography to reveal hidden truths in our society.
Artists include: Berenice Abbott, Iwan Baan, Bernd and Hilla Becher, Hélène Binet, Walker Evans, Luigi Ghirri, Andreas Gursky, Lucien Hervé, Nadav Kander, Luisa Lambri, Simon Norfolk, Bas Princen, Ed Ruscha, Stephen Shore, Julius Shulman, Thomas Struth, Hiroshi Sugimoto and Guy Tillim. The exhibition is designed by the internationally recognised Brussels architecture firm, Office KGDVS, led by Kersten Geers and David Van Severen.
05/09 - 06/11/2014
‘Hélène Binet looking at historic architecture’ Gabrielle Ammann // Gallery, Cologne, Germany.
‘Zaha Hadid Heydar Aliyev Centre’, Lars Müller Publishers
27/09 - 29/11/2013
‘Hélène Binet - Recent Work’ Gabrielle Ammann // Gallery, Cologne, Germany.
16 - 20 October 2013 also on show at PAD, London, UK.
‘Composing Space’, TU Berlin Architekturgebät, Germany
14/05 – 01/09/2013
‘Nicholas Hawksmoor: Methodical Imaginings’
Exhibition, Somerset House, London
Exhibitors: Hélène Binet and Mohsen Mostafavi
Curator of the exhibition: Mohsen Mostafavi
‘Composing Space’, Literaturhaus, Barfüssergasse 3, CH-4051 Basel.
‘Composing Space’, 361° Conference, Nehru Centre, Mumbai, India.
‘Marking the line: Ceramics and Architecture’
Christie Brown, Carina Ciscato, Nicholas Rena and Clare Twomey in response to Sir John Soane
Published by Joanna Bird to accompany the exhibition at Sir John Soane’s Museum, Port Eliot and Pitzhanger Manor
Edited by Joanna Bird
Designed by Daniel Chehade
16/02 - 12/05/13
‘Ansichtssache 150 Jahre Architekturfotografie in Graubünden’
Exhibition, Bündner Kunstmuseum, Chur, CH
‘Composing Space’, University of East London, London, UK.
08/12/2012 - 21/04/2013
‘BUILDING IMAGES. PHOTOGRAPHY FOCUSING ON SWISS ARCHITECTURE’
Exhibition, S AM Schweizerisches Architekturmuseum, Basel, CH.
The exhibition is accompanied by the publication:
S AM No. 10
With texts by Hubertus Adam / Elena Kossovskaja & interviews with the architects Annette Gigon/Mike Guyer, Jacques Herzog, Miroslav Šik and Peter Zumthor as well as the photographers Georg Aerni, Hélène Binet, Hans Danuser, Walter Mair, Thomas Ruff, Jules Spinatsch and Dominique Marc Wehrli.
Christoph Merian Verlag, 2012, German/English
‘Composing Space, the photographs of Hélène Binet’ an extensive monograph (Limited edition).
Text by Mark Pimlott
Designed by Joost Grootens
Published by Phaidon Press (London/New York)
The monograph is an overview of twenty years of career, bringing together black & white and color works, from architecture to landscape. Accompanying texts by Mark Pimlott highlight the ideas that inform Binet’s work, including abstraction, the importance of materiality and light, the experience of space, and the emotional power of architecture.
26/10 - 02/12/2012
‘Lights Passing’ Exhibition at ROM Gallery for art and architecture, Oslo, Norway.
LIGHTS PASSING focuses on images from Norway, the Steilneset Memorial in Vardø by Peter Zumthor and the Hamar museum by Sverre Fehn, and delves into Binet’s personal interest in space and shadow through a series of images including works by le Corbusier, the Observatory in Jaipur and the Lunuganga Estate by Geoffrey Bawa in Sri Lanka.
"The light and shadow of the observatory in Jaipur is telling us the time, the seasons, predicting the monsoon but also positioning the human being in relation to very big dimension. The light and the shadow as a tool to understand the world. In the Couvent Sainte-Marie de la Tourette, light and shadow are the path to the liturgies and the only ornament in the cell of the father. They are collected in little box, maybe a place to catch dreams. In Sri Lanka the light doesn’t change very much over the season and the gardener will regulate his daily activity just by looking where the different shadings are appearing. In the Steilneset Memorial in Vardø, on the 26 of June, 97 lights are burning with no night. The long and stretch building is remembering the pain of women and men. Time is not given by cast shadow but by the sense of infinity convey through soft and diffuse light, present and past are merging. Time is not anymore linear. Memory and present are confused, as the ruin of the fishermen structure in the nearby." -Hélène Binet
‘Lights Passing’ Oslo Arkitektforening POP-UP lecture at The National Museum - Architecture, Oslo, Norway.
20/09 - 02/11/2012
‘Landscape and Architecture’ Gabrielle Ammann // Gallery, Cologne, Germany.
29/08 - 25/11/2012
‘Nicholas Hawksmoor: Methodical Imaginings’ Exhibition, 13th International Architecture Exhibition, La Biennale di Venezia, Italy.
Exhibitors: Hélène Binet and Mohsen Mostafavi
Curator of the exhibition: Mohsen Mostafavi
The exhibition Nicholas Hawksmoor: Methodical Imaginings focuses on a series of important churches built in London by the English architect Nicholas Hawksmoor (1661- 1736) during the early part of the 18th Century.
Hélène Binet has been commissioned to document various aspects of Hawksmoor’s remaining London churches. Her immaculate black and white large format photographs demonstrate the beauty of Hawksmoor’s architecture with special attention to the variety of scales, sites, interiors, textures and materials.
V&A Magazine No. 27: Spring 2012
Lecture at Harvard University, Cambridge, USA.
05/03 - 08/04/2012
‘Encounters with Cities’ exhibition at Harvard University, Cambridge, USA.
09/09 - 28/10/2011
‘Hélène Binet selected works’ Gabrielle Ammann // Gallery, Cologne, Germany.
The Flatness of Depths. Lecture at the Ecole Nationale Supérieure d’Architecture de Paris Belleville, 60 Bd de la Villette, 75019 Paris (F), on November 3rd. The lecture will start at 19:30 hours local time. For more information about this lecture please email the organiser.
In connection with themes covered in this lecture, Hélène Binet will also talk about her work in a broadcast conversation with François Chaslin, which will be part of the programme Les Jeudis de l’Architecture of French culture channel France Culture. This programme will be broadcast at 15:00 hours local time. More information about this programme can be found here.
15/10 - 19/11/2010
Reading Landscape: Contemporary Landscape Photography is a forthcoming exhibition at the Architectural Association (London, UK) in which Hélène’s work will feature alongside the work of Sue Barr, Bleda y Rosa, Stephen Gill, Uta Kögelsberger, Anna Leader, Edgar dos Santos, Corinne Silva and Eva Stenram.
“Reading Landscape presents a selection of contemporary photographers who work in the realm of the uninhabited. The photographers on show read rather than record landscape and their authorial presence is often felt in the images – a set of photographic lights, a flare thrown into the night sky, dust gathered in the studio. Some of the photographs articulate the unease we feel when confronted with rural landscape, denying us the comfort we find in the density of the built environment.
Other photographs show landscapes that we may take for granted, whose history belies a less sanguine past. Originating in the early seventeenth century, the word landscape was initially a painters’ term describing natural scenery; only 300 years later did it come to refer to the land itself. Reading Landscape explores this gap between the real and the revealed: the space between, where our dreams and fears reside.” (text: Architectural Association)
21/09 - 05/11/2010
‘Forming | Portrait – Architecture of Zaha Hadid’ Gabrielle Ammann // Gallery Cologne, Germany.